16/04 Assessment

Documentation

Huguette Caland’s 1971 “Self Portrait” and my continued ideas and material responses to it

The material exploration and thinking that led to the development of my artwork

Site venue – generating ideas

How Relational Colour has influenced my studio practice

Current progress in my subject area

Contextualisation

Davida’s ‘Failiure’ Lecture – 19/02/18

re.act.feminism

Relational Colour research and its influence to my studio practice

Ways of Exhibiting – how artists display and disseminate their work

Critical Debates – Appropriation and The Everyday

 

Assessment Personal Statement

Field Assessment – 15/02/18

Blog posts for Relational Colour

Reltional Colour – 16/01/18

Relational Colour – 18/01/18

Relational Colour – 23/01/18

Relational Colour – 25/01/18

Relational Colour – 30/01/18

Relational Colour – 1/02/18

Relational Colour – sketchbook work

Relational Colour – 06/02/18

Relational Colour – 07/02/18

Relational Colour – 08/02/18

Relational Colour – 13/02/18

Relational Colour – 14/02/18

Project Summary

Project summary

Personal Statement

My chosen artwork is by Huguette Caland, named ‘Self Portait’, 1971, which is a piece from a series of drawings I saw in the Venice Biennale, which were extraordinarily delicate, intimate ink drawings of female genitalia. I decided to go down the route of using theories discussed in Cath’s Goddesses and Monsters about phallic women and castration fear, which has created an element of humour and irony in my work.

I started by drawing her piece and created collage-type drawings of it, which lead to different drawings of vaginas in Caland’s simplistic style.

I wanted to focus on the materials I used to create these sculptural/paintings of vaginas in order to create a meaning, leaving them open to interpretation. My idea was to use contrasting materials of soft fabrics, making the spectator want to touch them, as well as use clay which mimics what a vagina actually looks like. The act of dressing up a vagina then opens up a social issue that women face, as well as a slightly humorous side of fetishism and strip tease – but by using a ‘scary’ vagina, rather than an entire body.

I believe I was successful in doing this and will continue to develop this idea, as well as incorporate other theories into the next pieces.

Documentation and Contextualisation for the first assessment

Personal Statement

Documentation

First Project – ideas lab

Ideas – Huguette Caland’s ‘Self Portrait’

Material response to Huguette Caland’s ‘Sef Portrait’

The thinking and process 

The significance of the materials used in my pieces

Contextualisation

Key concept lectures and how they’ve influenced my practice

Huguette Caland

V&A: Opera: Passion, Power and Politics

Function of Studios – Davida’s home

Venice trip – 5 artists that caught my eye.

 

Summertime – Place, time and travelling

After a year of focusing on the bad I decided it was time to focus on the good. While all the bad still goes on, I find my comfort places; whether they’re nostalgic or I’ve never been. My walks and hikes have always been important to me, especially around the mountains, where everything seem so small and everyone else is so far away. The only company I have is my lovely dog Moli and my sketchbook, and it’s all I need for a couple of hours. I spent most of my summer outside, hiding away from all that make people miserable and have a sketchbook dedicated to all the places I went that are important to me. Here are a few images from this sketchbook:

I used another sketchbook for my travels to Wiltshire, another place that made me happy because I went to visit a few friends I’ve made in Cardiff. I really enjoyed the nature part of this trip, as well as the train stops at different locations on my way up and down, of which I also sketched. Here are a few images from this sketchbook:

I decided to use my last sketchbook for the Leeds Festival and the Lana Del Rey concert (whom has been a heavy influence in my art, especially her short film ‘Tropico” https://www.youtube.com/watch?v=VwuHOQLSpEg ). Music and films aren’t uncommon ‘happy places’ for people, which is why I chose them, and why I thought going to these events would be metaphorical and literal journeys and places. I especially appreciated the visuals the musicians used; Lana used many Old Hollywood and nature imagery to go with her albums/songs and Bastille used government and social issues as their imagery following their recent album, which corresponds perfectly with my art work. While I and thousands of people had a fabulous time, we couldn’t escape what was really going on. Here are a few images from this sketchbook:

David Hockney landscapes and how they relate to me living in North West Wales (first sketchbook).

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The nostalgic shapes and colours fit perfectly with my summer back at home, and are hauntingly similar to where I live. They remind me of old, muted photographs from the 90s scattered around my home of landscapes that I hold very dear.

Lana Del Rey:

Lana’s backgrounds resembles a lot of my metaphorical imagery in my art work, such as roses and sexuality. She also uses Biblical imagery, something I might use ironically in year 2. Her latest album also speaks about the uncertainty of the future now Trump is in power which was a large proportion of my work last year.

Bastille:

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http://www.nme.com/news/music/reading-leeds-2017-bastille-deliver-a-stunning-donald-trump-and-theresa-may-bashing-set-at-bramham-park-2129223

“It was stage patter that reflects their politically-charged show. While they blitzed  through ‘Fake It’, footage of a menacing, demented Theresa May look-a-like holding up a manifesto entitled ‘Strong and Stable’ appeared on a screen behind them.”

While we talk about how scary having Trump as the president of America is, having a Prime Minister who’s his puppet is equally as horrifying. Bastille offered comedic videos of a Theresa May look-alike miming their songs that brought lightness to our situation, as well as an informed leftist view. I touched on using comedy in my art work to avoid any cheesiness and perhaps I’ll consider using it more often after seeing its effect on the crowd at Leeds.

Wiltshire:

Wiltshire was most definitely a happy place. The sketches I made from that trip slightly resemble my first sketchbook of home; full of landscapes and no politics.

As a final piece I ended up making a short montage of the videos that I’ve collected from all of these places. I made it into a nostalgic piece, using flashes and muted filters, because coming home for the summer made me realise how much I had missed home and how creating new memories associated with different places will only add to this nostalgia whenever I go back, or have something trigger those memories. However, I also realised why I was looking forward to moving to Cardiff. Home life reflects the moody aesthetic of the landscape that surrounds my home. This lead me to question if nostalgia was good or bad; does it trick you into thinking that something was better than it actually was? Why is this? I also based my video around how while trying to enjoy my summer with out any miserable politics, I couldn’t escape it! There were musicians using Theresa May as a background to their show, there were speeches about Donald Trump in between sets. The uncertainty of the sounds, the switching of filters and the lightning strikes all reflect this. I’ve tried to put all of this together in my 5(ish) minute film:

P.S. I apologise for the banner.

Level 4 end of year assessment

Documentation 

Shaped Paintings

Field Final Piece: Pinhole porn and internet trolls.

Inside/Outside: Shaped Paintings and Feminism

My second final piece

Field group work: Fairytales, Sexual Assault and Trump.

 

Contextualisation

Dorothy Iannone – final piece

Teeth – My second final piece

Contextualisation for Field’s final piece

Prague Art Findings

Fine Art Amsterdam Trip

What feminism means to me.

“Feminism”.

That word often triggers feelings of hate, anger and confusion. Not (usually) by the feminists themselves, but to those who do not wish to know its true meaning. I discovered that the more openly feminist I became, the more friends would turn and become angry with me. For a long time, I didn’t like them back and blamed them for not seeing what I see. It took me a while to realise that what is so obvious to me might not be obvious to everyone.

Every time I posted something women-related, I’d see a notification from one of my friends at the time. I’d click and see that it was yet another comment declaring how wrong I was about what women go through and that my personal experiences or those of my other friends and family doesn’t matter because it’s all ‘made up’. I could never understand how so many people could ‘get it’, but some, including a few of my friends, just couldn’t. I would even get angry personal messages claiming that I wasn’t allowed to be afraid of walking home in the dark because I expose my cleavage in a few pictures on facebook, or that I’m not allowed to not want to be groped because I might give someone a specific ‘look’ and they might not be able to help themselves. This was highly offensive to me, as it was to men since, you know, they aren’t monsters who can’t control themselves. I couldn’t understand how someone could disrespect their gender so much and make it sound like they were all out to get the women who didn’t behave accordingly.

Thankfully, it isn’t often that I receive messages like those, but there is something more worrying lurking, especially here in the UK, and that is how sexism (as well as all other discrimination) is a lot more subtle. It’s on the internet where people will speak out about how women aren’t worthy, while in actual situations, it’s their behaviour and attitudes that scream sexism. For example, the same friends who would gang up on me about how I’m not allowed to be shocked about sexual assault rates for women in universities on facebook wouldn’t even look at me for longer than a few seconds when I tried asking them about it in person. To me, this was an eye-opener about how many Brits often ‘deal’ with discrimination; even though they might think something, they are only willing to scream and shout online, behind a screen.

Anywho, feminsim hasn’t only shown me the bad side of society, it has shown me the kindness and support of people, especially my friends and family who have been there for each other through the most horrible of times. It has got me through a lot of issues from living with a form of PTSD to a simple catcall. It has shown me that I can be there for all of my friends, whatever it is, as they can be there for me. It has shown me that being a victim of something doesn’t make you any weaker, any less powerful, or even much of a victim at all.

I make feminism a part of my life through activism by using my art, going to rallies and debates, and, yes, the internet. Today, although many people are quick to discriminate online, many who believe in what I believe in, whether it be on feminism, racism, homophobia, transphobia, etc. aren’t speaking up. To quote Malala Yousafzai on this fine day, “When the world is silent, even one voice becomes powerful”. People often think that they’ll bore a conversation if they choose to bring up politics, or lose friends on facebook if they choose to share something, when standing up for something doesn’t even have to be that. Say you see someone receiving unfair treatment on the bus, call it out. Say someone passes a discriminating comment about your co-worker, call it out. Say if a friend needs your support over something that has happened, offer it with open arms, as crinjey as it all may sound. Discrimination is still alive and well all over the world. How many more Trumps can we take? We need to hold each other up.

Happy International Women’s Day 🙂

Documentation and Contextualisation

Documentation

Sketchbook Work

Side project on landscapes

Where the development of my work is currently at.

Material Projects and what I learnt from them.

My most developed piece

Inside/Outside: Shaped Paintings and Feminism

Life Drawing: Looking at Tracey Emin

Concertopia

Library Research Project

Shaped Paintings

Today, Tomorrow, Yesterday, September

Contextualisation

Dotty Attie

Today, Tomorrow, Yesterday, September: John Stezaker

John Coplans, ‘Hands Holding Feet’, 1985

Life Drawing: Looking at Tracey Emin

Contextualisation for Shaped Paintings

Trip to London

Concertopia: Contextualisation

Library Research Project

Chantal Joffe

Trump protest and how it’ll influence my work

Field

Maes Cymraeg

Lights, Camera, Action! Field Project

Field group work: Fairytales, Sexual Assault and Trump.